A few months ago, I wrote about my love for sitcoms, and how it's difficult to say whether TV shows imitate life, or vice versa. At the time, I was deeply curious about the relevance of the genre's evolution in an increasingly digital world—hence the Baudrillard reference. I felt sitcoms were the most appropriate genre for exploring hyperreality through TV as their structural elements provide deeper insights into characters in a way other genres may not.
TV shows—sitcoms or otherwise—don't necessarily create new worldviews, but are often capable of perpetuating or negating existing 'real-world' sentiments. However, it's not always been the case: overtly addressing important issues and creating representation through TV are relatively new phenomena. We would reasonably expect a sitcom aired in the 2020s to be far more progressive than one from the 2000s. Why? Society has generally become more tolerant/inclusive, and TV shows exercise the choice to extend this on-screen.
Yes, many social issues are addressed and more groups are represented across various demographics. Yet, there remains some translucence with how neurodivergent characters are addressed—or not addressed. To be clear: not all shows need to include neurodivergent characters. 'Representation' is counterproductive if it enables problematic stereotypes.
I first noticed this in The Big Bang Theory (TBBT), where Sheldon Cooper portrays the archetypal 'autistic savant' in numerous ways. To list a few: exceptional memory and recall; advanced math and physics abilities (savantism); difficulty understanding sarcasm or humor; struggles with empathy and emotional cues; discomfort with physical contact; inflexibility with change. I feel the show misses the mark in two ways.
First, it frames a character around a medley of (outdated) autistic stereotypes without addressing a diagnosis. Instead, he's frequently mocked by others and claims "he's not crazy" as his mother "had him tested. The harmful notion here being demonstrating certain (involuntary) neurodivergent behaviours is synonymous with strangeness. Second, it overlooks a clear opportunity to address autism and promote awareness. It's simply near impossible to suggest that none of the characters—academics at the world's leading universities—would have never at least suspected Sheldon to be autistic, despite being embellished in a hodgepodge of autistic stereotypes.
Instead, Sheldon's eventual adjustment is framed as mere character development rather than an autistic adult navigating the difficulties of adulthood. It's rather ironic how the show's creators utilised his unique mannerisms for comedic fodder whilst downplaying the need to 'pathologise' characters.
This pales in comparison to The Good Doctor (TGD), where protagonist Dr. Shaun Murphy's savantism is portrayed alongside difficulties with communication, emotional expression, and social norms commonplace with autistic individuals. Although TGD is heavily criticised for enabling certain stereotypes, the creators deserve some credit for a) wanting to highlight the life of someone with autism in a tough job and b) at least disclosing the protagonist's diagnosis openly and early on.
For what it's worth, both shows began ten years apart, and perhaps shouldn't be judged by the same standards. After all, neurodiversity awareness is only relatively new to mainstream cultural discourse. That being said, TBBT's last episode aired in 2019, and the show's creators could have at least admitted their blind-spot after the fact (had they deemed it important). The criticisms towards TGD I've encountered often claim Murphy's character doesn't reflect authentic autistic experiences. This in itself inherently—and falsely—suggests the existence of an archetypal autistic which simply doesn't exist. It's wholly possible likely some people resonated with aspects of Shaun Murphy's character less/more than others.
I wonder: is it better or worse to transparently address a character's diagnosis? I suppose it depends on the show creator's aims. The simplest way would be to not borrow autistic stereotypes for no reason, or even worse, for ulterior motives. If absolutely needed, shows could follow TGD's approach in seeking autism advocates as consultants with lived insight.
Alternatively, there are a multitude of ways an autism or ADHD diagnosis could be addressed subtly in a way which doesn't reconfigure an entire character. If anything, doing so may be the most optimal approach—by reinforcing the positive message that these diagnoses illuminate, rather than define, us.
I thought to write this as I'm catching up on Abbott Elementary, and there's a well-circulated theory that Gregory Eddie's character may be autistic. This is unsurprising as he exhibits some less common, but real all the same, traits of autism which don't quite align with mainstream media portrayals. Some examples: his emotional reserve, strong moral compass, restrictive food preferences, sensory sensitivity, and deeply observant nature. Lately, though, these traits seem a bit more pronounced than before.
On one hand, perhaps these traits are simply elements of the character's personality—for example, his preference for routine can be explained by his military upbringing. On the other hand, perhaps the writers are paving the way for an episode about a potential diagnosis—after all, Abbott Elementary regularly touches on important social issues. In either case, these existing subtleties add depth to his character while maintaining ambiguity about any diagnosis. However, should the latter happen, this would be a major representation win especially due to the prevalent underdiagnosis amongst Black adults.
Autism, like many other conditions under the neurodivergent umbrella, has remained misunderstood for far too long. Given the increasing awareness and discourse surrounding neurodiversity—underscored by rising diagnoses—I suppose we have a choice between better understanding neurotypes or furthering outdated stereotypes. On the basis that media mirrors our existing worldviews, I only hope we make the right choice, and I hope our TV shows are better off as a result.